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GRAPHIC DESIGN ENEWSLETTER / JULY 16, 2009

 

IN THIS ISSUE:

Publishers Notes
Graphic Design News
Special Message
Graphic Design News
Resource of The Month
Take Five Career Tips
Upcoming Events
Now on GDUSA

YUPO
 
Glow
 
YUPO
 
STRATA
 
PhotoLibrary
 
Berthold
 
Erickson
 
GASC
 
Moodboard
 
4over

PUBLISHERS NOTE: INHOUSE DESIGN ANNUAL PREVIEW

inhouse
inhouse

GDUSA's American Inhouse Design Awards Annual will be published soon — in print in late July and online in late August. This competition is the original, the largest, and has emerged as the premier showcase of first-rate inhouse projects chosen from more than 4,000 entries. A couple of thoughts on this year's program, and the state of inhouse design, follow.

It Takes Courage
For a brief period in the 1980s, CBS News anchor Dan Rather signed off on the evening news with the stentorian farewell "Courage!" It seemed stilted and pretentious and just plain weird — as did Mr. Rather at times — and the practice soon disappeared. Oddly, during this year of economic discontent, his call to action keeps drifting back to me. 2009 should have been a year of growth for the design disciplines: great design is a great differentiator for businesses and institutions, and study after study shows that companies which invest in their brand during a downturn emerge stronger when the next upturn comes. Sadly, few clients are showing foresight and fortitude, and few creatives have found the strength or leverage to make the case. Reticence is the rule, bravery and enterprise the exception.

Pushing Forward
Which is what makes this year's group of inhouse award winners so very special. Yes, as in past years, they are primarily honored for their outstanding work on behalf of their clients. And, yes, as in past years, the victory is sweet because the path to a successful design solution is often steeper for inhouse designers than for counterparts at independent agencies. But now add a new factor: courage. In a terrible and timid time, these winning designers and departments have found the courage to raise their heads above the crowd, to keep pushing themselves, their clients, their managements, their brands and, ultimately, their organizations forward. Ever forward. Such a course is not for the faint of heart and they deserve all the recognition they can garner. Maybe Mr. Rather was onto something after all.

Sweeping Inhouse Change
The Inhouse Awards Annual also incorporates, each year, the results of a survey of the award winners. This year, the topic could not be more topical: how to deal with change in good times and bad, as well as how to be ready (if and when) the econony rebounds. In brief, we found that inhouse design professionals are facing sweeping change. For a variety of reasons, including staff reductions, tighter budgets, new technologies and shifting business objectives, the scope of design work is evolving. Two-thirds of respondents say their responsibilities have changed in the last year; nine-in-ten expect their role to change again in the next three years.

Resistance Is Futile
Does the inhouse team welcome change and move forward, or resist it and falter? Turns out a crucial factor is the manager, and the example he or she sets. Effective leadership, it seems, creates confidence. To those surveyed, leadership in this context means: explaining the nature of the impending change and its effect on each member and the group; involving the team deeply in the process; providing ongoing support and resources to meet new demands; running interference with upper management; and encouraging the use of organizational tools and strategies to become more efficient.

Good Faith Effort
The survey's conclusion: Change isn't always easy to understand or integrate, but inhouse designers on the whole seem to be making a good faith effort to embrace it and work through it. And despite the day-to-day stresses and pressures that change triggers, 88 percent of those surveyed said they think working as an in-house designer will be a "promising" career path in the next five years. As one respondent put it: "Prove yourself through your work, be dependable, and find a company with a very solid foundation."

About That Upturn
As for the eventual rebound, the survey suggests that inhouse designers are look ahead, try to anticipate what's around the next curve in the road and preparing now. Among the common suggestions for staying ready: keep innovating and getting out into the world to see what others are doing; broaden individual and departmental skill sets; tackle new technologies and marketing tools such as ecommerce and social media; document how the team adds value to the company; and work hard and stay sharp, even if it means creating projects during slow periods. The final observation: learn, learn, learn, because knowledge, within the organization as elsewhere, is power.

The 2009 Inhouse Annual will be a keeper; we hope you enjoy it.

— Gordon Kaye

 

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GRAPHIC DESIGN NEWS

Millman Leads
Millman Leads Debbie Millman, branding expert, respected voice, and lively presence in the graphic design community, takes the helm as president of the AIGA. At the same time, several new directors have been elected to the 15-person national board of the organization, and the board has crafted a new AIGA mandate for a new era. Outgoing president Sean Adams will remain involved in an ex officio role. An indepth look at these developments in our next enewsletter and the September GDUSA magazine.
 
Bad Taste
The National Advertising Division, Council of Better Business Bureaus, has asked Domino's and agency Crispin Porter + Bogusky to change or discontinue promotional claims regarding the "Oven Baked" sandwich line. Domino's has been claiming its sandwiches beat the taste of Subway's two-to-one in a national test. Challenged by Subway, the NAD found that consumers might interpret Domino's claims too broadly — while the taste test only applied to specific sandwiches, consumers might believe the results applied to all Subway sandwiches. The NAD recommended that the commercials "be discontinued or modified to make a more limited taste preference claim..."
 
Book As Sculpture
Book As Sculpture This catalog that was produced by gdloft PHL for The Philadelphia Design competition, sponsored by the local AIGA chapter. It looks at the idea of "book as sculpture." Using a variable printing program, each cover is a slightly different shade of color from the last one, following the pattern of ROYGBIV. Each catalog is entirely unique and, yet, when they are stacked, the spines create a seamless spectrum that evokes a sculpture. Creative credits include art direction by Allan Espiritu and production by Allan Espiritu, Mike Sung Park, Christian Mortlock, and Matt Bednarik.
 
A Pratt First
Pratt Institute celebrates the first endowed professorship in its history. The Marc Rosen Distinguished Visiting Chair in Design professorship provides funding to allow Pratt to bring stellar designers and lecturers to the school to promote interdisciplinary education in design. The professorship builds on Rosen's legacy in packaging design, emphasizing the connections between product, packaging and branding. Pratt President Thomas F. Schutte promises speakers who bring "the most brilliant and cutting-edge thinking in all fields of design."

 

BRIDGEMAN: BUILDING A BETTER SITE

Book As Sculpture The Bridgeman Art Library has built a better website for fans of the popular source of fine art, historical and cultural images. In addition to major infrastructure upgrades which increase search and download speed, the web development team has enhanced the lightbox interface and developed better search filters and results sorting capabilities.
You can find out more about it by visiting the site or by checking out the July enewsletter - The Bridgeman Buzz - features American collections and artists in honor of Independence Day. Shown here: George Washington takes command of the Continental Army.
http://www.bridgemanart.com/EN-US/Newsletters/July%2009.aspx
http://www.bridgemanart.com/Default.aspx?lang=en-us

 

MORE DESIGN NEWS

Give Them Credit
Give Them Credit Inspired by the success of nutritional labeling, graphic designers and AIGA Design for Democracy directors — David Gibson, Sylvia Harris and Carla Hall — have developed a Credit Card Facts box. It represents a call to the federal government to enhance its efforts to regulate credit card industry disclosures by requiring a well-designed, easy to read, citizen-friendly format for this vital information. The New York Times ran an image of the label, and the rationale for it, as an Op Ed on Sunday May 24.
http://www.nytimes.com/2009/05/24/opinion/24gibson.html?_r=1
 
That's The Ticket
In the world of online event ticketing, big and national is not necessarily better. So when Grammy nominated Patrick Lamb decided it was time for an alternative, he teamed with Oregon-based Quango Design + Marketing to improve the online ticket buying experience for consumers. The result: Tickets Oregon. The redesigned online portal uses the latest technologies.
http://www.ticketsoregon.com
 
Double Header
Double Header Turkey Hill steps up to the plate with two new ice cream flavors that celebrate the New York Yankees: Bronx Bomber Sundae and Pinstripe Brownie Blast. With the goal of capturing the spirit and utilizing the colors of the Yankees brand, Brandesign of Monroe Twp. NJ utilized two different Yankee logos to maintain brand consistency yet establish clear flavor segmentation. Soon after, the firm was commissioned to design a special edition commemorative package for the inaugural of the new Yankee stadium.
http://www.brandesign.com
 
Urban Interventions
Pedestrian-centered improvements to the Brooklyn Bridge, a light installation at a bus terminal in Hell's Kitchen, and supergraphic portraits of Irish literati at the Dublin Airport are among the winners in SEGD's 2009 awards program. These projects, notes Peter Dixon of the New York consultancy Prophet SEGD officials, show how "we can design urban interventions that dramatically improve some ignored parts of the public environment." The 40 winning projects can be seen at...
http://www.segd.org
 

 

PACKAGE DESIGN RESOURCE: EYE 4 PACKAGING

Eye4 At eye 4 packaging, our eye is always on creating high quality custom engineered solutions for you. From CAD design to prototype creation to final production, eye 4 packaging provides a fast and dependable resource for everything packaging. And we can help get your product to market in the blink-of-an-eye while maintaining the impeccable attention to detail you've come to depend on. For more information on choosing the right packaging construction or to receive our free new services catalog contact: sales@eye4packaging.com or call Don Prill at 815-464-3081. Or check out the website at http://eye4packaging.com

 

TakeFive TAKE FIVE! CAREER TIPS FROM THE CREATIVE GROUP:
THINK TWICE BEFORE YOUR NEXT MEETING

According to a recent survey of executives, 28 percent of meetings are a waste of time. Here are five signs that a gathering may be going nowhere:
 
1. Everything But The Kitchen Sink Is Being Covered. Agendas are useful, but one that is lengthy or unfocused could indicate that not all of the information will be relevant to every attendee.
 
2. It'll Take More Than An Hour.Meetings that are scheduled for more than 60 minutes have a tendency to meander as people's interest level fades.
 
3. The Attendee List Goes On And On. When a participant list is extensive, it may signal an overly ambitious meeting, or one where people are being invited as a courtesy, rather than because they need to attend.
 
4. There's A Large PowerPoint Deck Involved. Visuals can be useful for reinforcing information, particularly for designers. But an extensive PowerPoint presentation could signal that there's a lot of ground to cover and perhaps you'd be better served reviewing the information on your own.
 
5. It's A Habit. Routine meetings can become, well, routine. If regular gatherings have grown stale, consider suggesting that they be held less frequently.
 
The Creative Group is a specialized staffing service placing creative, advertising, marketing and web professionals on a project basis. Find more information at www.creativegroup.com

 

A SPECIAL FREE TRIAL FOR GDUSA READERS

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GRAPHIC DESIGN EVENTS

July 31. Chicago IL. Deadline for submitting works for the Society of Typographic Arts Archive 09. Judges are Kelly Kaminski, Yang Kim, Scott Thares, Rick Valicenti, and Armin Vit.
http://sta-chicago.org

August 26-28. San Diego CA. Creative Freelancer Conference helps designers, copywriters, photographers, illustrators and other creative freelancers build a strong and healthy business.
http://creativefreelancerconference.com

September 11-16. Chicago IL. Print professionals convene at the McCormick Place exhibition center to attend PRINT 09, the year's largest and most comprehensive global graphic communications exhibition and conference.
http://www.gasc.org

September 15-17. New York NY. HBA Global Expo at the Javits Center. It features packaging materials, components, design and production in the beauty space — personal care, fragrance, well-being and cosmetic industries.
http://www.hbaexpo.com

September 17. New York NY. The AIGA Design Legends Gala takes place at the Waldorf-Astoria. The annual fundraising event honors those whose work defines the design profession as we know it.
http://www.aiga.org/content.cfm/events-gala

September 19: Santa Fe NM. Join Maggie Macnab, Joel Nakamura and John Langdon for a half-day seminar that explores the relevance of symbolism to effective and engaging visual communications.
http://santafe.aiga.org

September 22. Baltimore MD. Marketing Survival Strategies for the Attention Economy, presented by Jeremy Epstein. It includes education about using social media as a marketing channel.
http://www.baltimore.aiga.org or heather@baltimore.aiga.org.

September 22-24. Nashville TN. 2009 SFI Annual Conference. Speakers include Brian Dumaine, Fortune Magazine; Michelle Desiderio, National Association of Home Builders Research Center; Craig Hanson, World Resources Institute; Sean Ross, The Lyme Timber Company; and Scot Williamson, Wildlife Management Institute.
http://www.sfiprogram.org/conference-2009.php

September 22-24. Atlanta GA. The 5th Annual Sustainable Packaging Forum, a looks at responsible business solutiions and sustainable packaging. Among the topics: sustainability as a driver of economic innovation.
http://www.bnpevents.com

September 24-25. Houston TX. Association of Professional Design Firm Leadership Forum: Rethinking Firm Compensation. Consultant John Gleason looks at how our firms are compensated. At the Hotel Zaza.
https://www.apdf.org/public/Register/FormAPDF_Registration.asp?Event_ID=519

September 26. Denver CO. Annual showcase of the Art Directors Club of Denver. It takes place at the Sherman Events Center.
http://adcd.com

September 29-October 2. Chicago IL. NPTA Alliance Convention. Each year leaders of the paper and packaging industry — distributors and suppliers alike — meet, network, plan for the future, and solidify relationships.
http://www.gonpta.com/convention/index.cfm

September 30. New York NY. Printing Industries Alliance (PIA) has scheduled its annual Franklin Event at Pier Sixty at Chelsea Piers. "Over 500 CEOs and senior executive decision makers attended this event last September — and we expect the same this year," says Event Chair Diane Romano of HudsonYards.
http://www.PIAlliance.org

October 8-11. Memphis TN. AIGA National. "Make/Think" is the 2009 AIGA Design Conference, exploring the dual roles of designers as makers of beautiful things and strategic problem solvers.
http://designconference2009.aiga.org

 

NOW ON  GDUSA.COM

2009 Color Forecast
http://www.gdusa.com/issue_2009/05_may/

2009 Logo Trends
http://www.gdusa.com/issue_2009/04_apr/

2009 Print Design Survey
http://www.gdusa.com/issue_2009/06_jun/

GDUSA Pantone Store
http://www.gdusa.com/store/home.php?cat=251