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COLOR MARKETING
GROUP
The Color Marketing
Group, founded in 1962, is an international not-for-profit
association of 1,500 color designers who forecast color directions
one to three years in advance for all industries, manufactured
products and services. These consumer/residential and contract/commercial
products include: interior/exterior home, transportation,
architectural/ building, communications/graphics, fashion,
action/recreation, and environments for office, healthcare,
retail and hospitality/entertainment. CMG's major focus is
to identify the direction of color trends; then CMG members
translate that information into salable colors for manufactured
products in all industries.
Contact: www.colormarketing.org
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SERENITY
AND A FRESH START
According
to Melanie Wood, a former CMG president and one of the
countryís leading color experts, the current socioeconomic
environment is a powerful force in color forecasting.
She observes that "global turmoil is definitely
the driving factor in color direction at this time.
Todayís consumer wants to feel safe and tranquil in
an otherwise crazy world. We want our homes to be a
haven for serenity and de-stressing. The cool, spa-like
shades of blue and blue-green are particularly important
at this time and moving forward. Spiritual purples also
continue to be significant and are softening to lilacs.
On the warmer side, natural greens and neutral yellows
are fresh and signify a new beginning. We want to get
the war behind us, start anew and have fun again. Colors
that refresh and rejuvenate will lead the way, with
innocent tones of pink and peach giving us a sense of
freshness and a promise of tomorrow."
"Of
course, the sluggish economy has an effect on how we
perceive color as well. We see the palette shifting
to mid-toned values that are classic and somewhat safe.
The neon brights are too jolting and energetic for us
at this time, but we still want to have fun again. Basically,
consumers desire comfort, stability and security, but
optimistically yearn for signals of brighter times to
come. They recognize that they have an emotional response
to color and want to be surrounded by colors that make
them feel good."
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UNDERSTANDING
HUMAN RESPONSE
We
asked Barry Ridge, CMG's respected vice president of
strategic planning, for his views about the relationship
between graphic design and color. "Color and graphic
design touch so many people in so many ways, it truly
is a great indicator of consumer acceptability. Packaging,
direct mail, newsstand publications and, of course,
the internet are all reflections of what is going on
'out in the world.' Graphic designers are fortunate
to have a fairly wide-open, free reign to choose colors
for their projects. Having an understanding of human
response to certain colors is a big factor in the successful
communication of the particular message being sent.
Color Marketing Group helps give perspective on this
huge, evolving world. Branding a mortgage company with
a pink and purple color scheme would not send a message
of a solid, wise investment company. Pink and purple
certainly have their place in the communications world.
Using them appropriately is the trick.
"It
is ironic that, throughout the 90's, the graphics industry
worked so hard to perfect the reproduction process within
the digital world that it is now being taken for granted.
Four color process is everywhere, available to everyone.
It seems as if everyone has their hands in our work
to some degree: 'Why can't you use those jpegs for the
brochure?' 'Just get a stock photo off the web.' The
game has changed: short run 1:1 variable data, surgical
strike target marketing, gang run jpeg rastered images.
Are graphic designers from the 'old school' the only
ones who care about crisp type and color corrected flesh
tones?
"Trends
in color seem to be going bright and loud as a way to
grab attention. Color in use for hard products, consumer
goods and packaging is alive and well. Special effects
and finishes are everywhere, as manufacturers fight
for the attention of an increasingly fickle consumer.
As products become sleeker and smoother, designers are
drawn to more primitive, raw influences to get inspiration.
Tribal dancers and third world processes of production
were some of the things being discussed at the Florida
meeting. Along with the economy, uncertainty, fear,
etc."
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