FINE LINE
Consistency of line weight is one of the tenants of good logo
design. It builds rhythm and ensures legibility at first glance.
Forget this rule for this category. Turn your line weight down
to hairline and start drawing. Most of these logos live on two
levels: first glance, and then second glance, with reader glasses.
Typically, a heavier image with message one serves as a background
field. The more profound message two is generally
encrypted over the top of or knocked out of the heavier image.
Fine strokes weights may read as no more than pattern initially,
but they can also carry the dichotomy of a counter message.
A variation on this is the use of linear art en masse to create
enough weight to define a message as in the PULSE logo.
This yin yang process tends to captivate the viewer and lends
a sense of intelligence to a mark that doesn't require a hammer
to impart a subtle message
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Louise Fili for The Mermaid Inn |
Hula + Hula for Cartoon Network Latinamerica |
Unit for Artists for Peace |
Point Blank Collective for Pulse |
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